DECLAN MCKENNA
// WUNDERHORSE / SOFT LAUNCH //

Declan McKenna at Alexandra Palace • Illustrated by Kitty Pilgrim-Morris

Opening the night was Soft Launch. I’d not heard of the band before, and must confess I let out an audible groan when five skinny white boys strode out onto the stage; making the line up of the night’s show thirteen white men in total, with just one woman - Isobel Torres, guitarist for McKenna’s band. My initial reaction warmed slightly as I was impressed by their musical skill - in between each song, the boys swapped instruments, juggling electric, acoustic and bass guitars and a keyboard between them, as well as changing up lead vocalist. It was like One Direction if they could play instruments. 

Wunderhorse took to the stage next, delivering a performance that truly left my jaw open for its entirety. Jacob Slater is simply incredible - pitch perfect during each of the band’s complex songs, while remaining raw and guttural in his delivery. I luckily found myself in a little pocket of Wunderhorse fans within the crowd, as some of the rhinestoned girlies did look a bit taken aback by the pretty heavy set - although from my spot, everyone was equally blown away by the performance whether they had heard the band before or not.

Declan McKenna’s set was fantastic. I felt weirdly starstruck when he came onstage, despite not following his music for that long. His vibe while walking out in velvet blazer and orange-tinted sunglasses was truly that of a seasoned rockstar, which was ironic given his whole image is being a bit of a British dork. It was all a bit tongue in cheek, and he pulled it off superbly. I felt that infectious concert buzz, while the humour of this rockstar act united us with McKenna, like we were in on the joke. The stage was rather bizarrely dressed up with mountain-like peaks, as if we were on the moon - or perhaps in the terrain of a dried up beach, as the album title alludes to.

Opening with Sympathy of the new album, he wove older tracks like The Key to Life on Earth amongst his most recent releases. The crowd was incredibly engaged, screaming along the lyrics and moshing, especially for the older songs. Returning to the stage for an encore, McKenna and the band played crowd favourite Listen to You Friends, to the echoes of hoarse voices yelling along the iconic spoken bridge - the highlight of the night for me. Rounding the night off with Eventually Darling and McKenna’s now-expected closer, British Bombs, things took a slightly scary turn; after several moshpits opened to form one mega mosh, a huge chunk of the crowd went under. Screaming at the top of my lungs to try and get the unaware stampede to stop moving forwards, I was already having flashes of a headline in my mind; ‘Teens die in Declan McKenna mosh pit’. All resolved however, with girls emerging from the floor grinning and wide eyed, high off the adrenaline and chaos. Miraculously, there were no casualties. The drama of the moshpit elicited a certain camaraderie as we left the venue. Slipping Through My Fingers played out as the exit music, fitting after McKenna’s cover of the song led to a viral TikTok moment. It was a beautiful end to an incredible show, singing ABBA with thousands of strangers as we wound down Alexandra Palace’s hill.

Support act Wunderhorse, however, I was much more familiar with - in fact they are one of my favourite bands, so you can imagine my glee when they were announced as a support a few weeks after purchasing my ticket. From the mind of Jacob Slater, ex-lead singer of punk band Dead Pretties before they split in 2017, Wunderhorse burst onto the London alt-rock scene in 2022, with their debut LP Cub. Expansive and gritty, with catchy melodies woven into heavy rock lines and lyrics full of personal revelation, Cub has secured Slater as one of the up and coming stars of the scene. Their song Teal was my top song of 2023 on Spotify - I would say it’s as close to perfect as a song can get!

As I clambered up Alexandra Palace’s steep drive in the afternoon of 12th April, a buzzing queue of colourfully dressed young people sprawled across the Palace’s front courtyard, speckled with several yellow and green Brazil football shirts in homeage to McKenna’s most famous track. It may only be spring, but the atmosphere was that of a festival; teenage girls decorated each other's faces with stick-on jewels and glitter, while sipping from pink Gordon’s cans. I felt quite old - the average age seemed to be about 18, understandable given McKenna himself is only 25. The anticipation was palpable as we were shepherded into the main hall - it is the biggest venue McKenna has played, and I could sense the pride and joy amongst the fans.

I’ve been a bit late to the party when it comes to Declan McKenna - familiar with his biggest hits (such as Brazil and Why Do You Feel So Down), but yet to sit down and give an album a proper listen until his most recent release. What Happened to The Beach? came out on 9th February via Columbia Records, and it’s quite a world away from his previous two LPs. McKenna sprung into the indie scene with his breakthrough hit Brazil, which he wrote at 15 for his GCSE Music. Its lyrics criticise the decision to hold the 2014 Football World Cup in Brazil, shedding light on the disparity between Brazil’s poverty and deforestation versus the multi-billion dollar football event. Brazil’s success led to a record deal with Columbia Records and debut album, What Do You Think About The Car?, released in 2017. McKenna evidently enjoys titling things with questions. His 2020 follow up Zeros was a glam-rock concept album that conjoured up fictional characters floating through space while grappling with an existential search for meaning, with strong nods to the sounds of David Bowie and The Beatles.

Author: Kitty Pilgrim-Morris

28/04/2024

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